Podcast: Play in new window | Download
Subscribe: RSS
Video Village is where the ad agency and client watch the monitor while enjoying fresh ginseng smoothies. It’s also one of the nerve centers of creativity on set. I had a quick chat with VTR Operator Matt Wallace about the dynamics of the video village. Matt was great to work with and always had his […]
What The Hell Is Video Village? I Ask VTR Matt Wallace. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
This episode is like a Master Class for any director that aspires to shoot commercials for a living. Jeffrey Fleisig and I met while we were both on the roster at Über Content, and we instantly hit it off as friends. Professionally, I admire the subtle performances he delivers and his keen talent for crafting
Top 5 Trade Secrets From Comedy Director Jeffrey Fleisig. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
Fathering five daughters inspired this week’s guest, advertising guru Kevin Sutton, to write a book, “Dear Midol: Essays from Estrogen Hell”. It’s a hilarious collection of short stories, all based in truth & good parenting. Kevin is a pal and now the Executive Creative Director at Moroch Partners, a fine advertising agency. We chat about
ECD Kevin Sutton Lives In Estrogen Hell. So He Wrote A Book About It. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
I’m off to NYC for a secret screening of my new film “I AM ROAD COMIC”, so this is a quickie podcast of me rambling about the benefits of shooting on a stage versus a location. And of course vice versa. Just one man’s opinions, but I hope it can help inspire you. If you’re
Location vs. Stage, Which One Is Best? Read More »
Podcast: Play in new window | Download
Subscribe: RSS
At age 8, second generation ad wizard Ian Barry pitched his first advertising campaign, now he’s Senior VP/Executive Creative Director at Cramer Krasselt Phoenix. We chat about how his agency chooses directors, swap stories from the trenches and he explains what a “chemistry meeting” is. After nine years and dozens of spots with this funny
How Do Agency Folks View Director’s Cuts? Sr. VP/ECD Ian Barry Explains. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
Do actors really need to wear the same outfit to the callback as their first audition? How much should you fawn over the director? Hey agency folks, why did you call everyone back? Casting is always crucial, so working with a deft casting director is a must. Danielle Eskinazi is one of the best. She
Top 5 Tips From Casting Director Danielle Eskinazi. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
Andy Baker is SVP/Group Creative Director for the National Geographic Channels. Technically, he’s the client. He runs an in-house staff of highly creative people, so he’s also the agency. As a hands-on filmmaker, Andy shouts his mantra of collaboration from the mountain top. His must-read blog, the client blog offers insights for all. Listen as
What Does The Client Think? Ask Andy Baker. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
Marcos Cline Márquez is Executive Producer of Altered.LA, a commercial production company that services the U.S. Latin Market. What is that market? If 80% of Latinos in the U.S. speak English, why make ads in Spanish? In any language, AlteredLA is a collection of great storytellers. You’ll love Marcos’ advice for new directors. For a
Crash Course In Latin Market Advertising With Marcos Cline-Márquez Read More »
Podcast: Play in new window | Download
Subscribe: RSS
My guest Nick Franchot is a second-generation Key Grip and one smart filmmaker. His experience ensures the shoot runs smoothly. So just what does the Key Grip do? Don’t Grips just lift the heavy stuff? And why does everyone keep calling Nick “Soda Pop”? Nick anticipates the DP’s needs, collaborates with the Gaffer, and supports
What Does A Grip Do? Nick “Soda Pop” Franchot Explains. Read More »
Podcast: Play in new window | Download
Subscribe: RSS
Jim Elliott, Chief Creative Officer at Y&R NY, leads by being a hands-on creative. Never one to shy away from hard work, Jim once donned a boy scout uniform for a spot we did back in the day. Hear that story, what he learned from ad titan Jeff Goodby, and how respecting the process means
Y&R Chief Creative Officer Jim Elliott Climbs The Volcano At 3am. Read More »
