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Working with a great editor, like Bill Marmor, ensures your footage will be fully realized into a great spot. Bill explains his process for editing commercials. ย We discuss how he finds those magic moments and why he did not like “The Secret Life of Walter Mitty”, which I loved. We also chat about objectivity in […]
Editor Bill Marmor Puts the Puzzle Together Perfectly. Read More ยป
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This episode will surely invigorate your creative juices! My 5 easy steps get your passion project off the couch and onto the screen. Enough already! I was lucky to have a mentor in Al Burton, a crazy, genius producer that taught me his “10 Steps to Success” in show business. ย Sadly, I can only remembered
Top 5 Steps to Make Your Dream Project a Reality. Read More ยป
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Richie Keen directs hit sitcoms, most recently “New Girl” & “Mixology”. He makes hilarious sketches. (See:ย Funny Or Dieย shorts,ย “Important Things with Dimitri Martin”). And he’s shot commercials in the former Soviet Union. If it makes him laugh on the page, he’s usually game. ย And after directing multiple episodes ofย “It’s Always Sunny In Philadelphia”, it seems
It’s Always Sunny in Philadelphia Director Richie Keen Gives Us The Lowdown. Read More ยป
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His spots are meticulously executed, while his music videos are wonderfully bizarre. Director Keith Schofield won the prestigious Gold Lion at Cannes and helped define “viral video”. I love that he posts his treatments on his website for all to see, which indirectly influenced me to start this podcast. Hear why… Oh yeah. I need
Director Keith Schofield. Brilliantly bizarre. Read More ยป
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Randy & Jason Sklar are two of my favorite stand up comedians. Together & individually. They’re hilarious comics/actors/podcasters/hosts/writer/producers… and true gentlemen. The brothers just took their maiden voyage into directing with a wickedly funny music video for The Sheepdogs. Relevant to the spot world, the play “Tech” & “Service” in a series of Time Warner
Comedy Super Duo: The Sklar Bros. Read More ยป
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I’ve always marveled at how “Rudolph the Red-Nosed Reindeer” was shot. Now straight from the real Island of Misfit Toys, Director Jed Hathaway of Shadow Machine breaks down this intriguing world of stop-motion animation. This episode plays like a crash course in shooting puppets for advertising, as Jed explains how he twisted the Happy Honda
Jed Hathaway directs stop-motion comedy for Happy Honda Days. Read More ยป
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In high school, Dan Sheppard knew he wanted to direct funny tv commercials for a living. Today, he is a working comedy director in-demand, churning out funny spots. Listen to his plan that turned the dream into a reality.ย Dan is surely one to watch, and I love his stuff. Sign up for my mailing
Comedy Director Dan Sheppard is living his dream. Read More ยป
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How do you feel when your ideas get lifted? As a comedian, it happened all the time. As a filmmaker, intellectual property rights deliver money I count on; same with my obscure country music publishing. But in the world of commercials, who’s idea is it? My opinion may surprise you. You’ll also enjoy a quick
Stolen ideas and M&M’s. Read More ยป
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Chuck Meehan hired me for my first real commercial directing gig (a spoof for Kia below), and we’ve been friends & collaborators ever since. We’ve racked up maybe over 75 tv spots together. Chuck coined the term, “The Brady Method”, referring to my patented approach to casting, and he has the most dashing smile in
Exec Creative Director Chuck Meehan sheds the light. Read More ยป
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While shooting on location in Missouri, I chat with one of my favorite sound guys, Rich Stobaugh. Recorded with my Tascam DR-07mkII, the interview sounds kind of crappy, making me appreciate the great sound men & women I work with. We also discuss the old-school approach I favor, craft versus art, and learn how I
A sound man and I discuss sound, recorded with bad sound. Read More ยป
