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We stray from spot-making, but you’ll love my chat with Kris Tinkle. He’s hilarious and was determined to put out another comedy CD of all-new material. And I got to help, respecting the process of great recording and well-honed material. Click to get the album on iTunes: “Kris Tinkle: Maybe I Don’t Feel Like Smiling.” […]
Comedian Kris Tinkle Made Another Comedy Album. Read More »
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The Perlorian Brothers make comedy spots that I wish I’d made. Admittedly, I was giddy interviewing the dynamic directing duo from the Great White North, because I’ve held them in such high regard since I began, and because Canadians are genetically funnier than most. Ian Letts and Michael Gelfand sat down with me at the
The Perlorian Brothers Brilliantly Blend Absurdity With Humanity. Read More »
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This episode dropped in February, and as i am traveling to Austin this week, I picked it as my debut repeat. Why? Cuz it’s worth the listen! Since the interview, ad-innovators Bill Wright and James Dawson-Hollis have moved to McCann Erickson. (Read this Ad Week article, I’m not making it up.) Oh, and James &
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Director Steven Feinartz and I met as he was putting the finishing touches on his documentary about comedian Eddie Pepitone called “The Bitter Buddha”. It’s a great character study of a funny man on his own journey. Steven recently shot Eddie’s stand-up special for Netflix, so I wanted to hear how that was different from
The Fine Art of Directing Comedians With Director Steven Feinartz. Read More »
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Visual storytelling requires a discerning eye and a strong point of view. My guest has that and more. I sat down with Director Graeme Joyce, whose work I’ve admired for a while now. Naturally, we talk about treatments and the state of the spot business. Graeme also gives us his two cents on why directors
Avoiding Creative Atrophy With Director Graeme Joyce. Read More »
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Creative freedom feels so good. By self-distributing my new comedy documentary “I Am Road Comic” directly to fans for $5, I’m showing the world an unfettered work. This episode is just me rambling about my grass roots strategy, and being very transparent with how the money flows. The last ten days I’ve been connecting –
My Independence As A Filmmaker With Self-Distribution. Read More »
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Sugar.tv’s Director Chris Smith is a happy commercial director. Like myself, he loves the medium, the process and has built lasting relationships that trust him beyond compare. We chat about conference calls, spec spots, post vfx (warning: gets very geeky and I love it!). Chris believes knowing the tools make you a better director, but
Busy Commercial Director Chris Smith Talks Repeat Business. Read More »
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Matt Miller is a master at weaving the aural layers in our commercials and often composes original music for them too. Sound design, mixing and finding the right music are the most subjective arenas in all of advertising and Matt is one of the best. He also crafted the stellar mix for my new documentary
What is Sound Design and Who Chose That Music? Matt Miller Explains. Read More »
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Mike Leary is one of the most buttoned-up agency producers I’ve had the pleasure of working with. But just what the heck does an agency producer do? For starters, the agency producer guides the matchmaking process, helping the agency creative team find the right director for their project, thus making this a must-listen episode for
What Does The Agency Producer Do? Mike Leary Explains. Read More »
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If you’re thinking about ad agency life, you need to hear this chat. Top creative Bart Cleveland cherishes seeing people succeed. Bart has always mentored his creative teams, and now he’s founded Job Propulsion Laboratory to help people entering advertising plan and manage a successful career. Oh, we also discuss that the perfect commercial is
Your Mother is A Liar Says Job Propulsion Lab’s Bart Cleveland. Read More »
