Hair & Make Up Artiste Judd Minter.

Judd Minter is one of my buddies off set. On set, he’s an attentive, detailed-oriented hair & make up artist at the top of his game. He has an acute awareness of not just the “looks” of the characters he creates, but also of the days’ schedule and comedic tone of the commercial we are […]

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Directing “A to Z” with Michael Patrick Jann.

Director Michael Patrick Jann brilliantly draws an analogy between directing and the art of ancient Chinese calligraphy. This is a must-listen episode. Michael knows comedy. Straight from film school to directing MTV’s “The State”, then onto “Reno 911” and countless commercials, he’s been directing the funny non-stop for 15 years. Today, Michael is an accomplished

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Comedian Kris Tinkle Made Another Comedy Album.

We stray from spot-making, but you’ll love my chat with Kris Tinkle. He’s hilarious and was determined to put out another comedy CD of all-new material. And I got to help, respecting the process of great recording and well-honed material. Click to get the album on iTunes: “Kris Tinkle: Maybe I Don’t Feel Like Smiling.”

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The Perlorian Brothers Brilliantly Blend Absurdity With Humanity.

The Perlorian Brothers make comedy spots that I wish I’d made. Admittedly, I was giddy interviewing the dynamic directing duo from the Great White North, because I’ve held them in such high regard since I began, and because Canadians are genetically funnier than most. Ian Letts and Michael Gelfand sat down with me at the

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Good Enough Sucks, Says Bill Wright, Global Co-Exec Creative Director at McCann Erickson.

This episode dropped in February, and as i am traveling to Austin this week, I picked it as my debut repeat. Why? Cuz it’s worth the listen! Since the interview, ad-innovators Bill Wright and James Dawson-Hollis have moved to McCann Erickson. (Read this Ad Week article, I’m not making it up.) Oh, and James &

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The Fine Art of Directing Comedians With Director Steven Feinartz.

Director Steven Feinartz and I met as he was putting the finishing touches on his documentary about comedian Eddie Pepitone called “The Bitter Buddha”. It’s a great character study of a funny man on his own journey. Steven recently shot Eddie’s stand-up special for Netflix, so I wanted to hear how that was different from

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Avoiding Creative Atrophy With Director Graeme Joyce.

Visual storytelling requires a discerning eye and a strong point of view. My guest has that and more. I sat down with Director Graeme Joyce, whose work I’ve admired for a while now. Naturally, we talk about treatments and the state of the spot business. Graeme also gives us his two cents on why directors

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My Independence As A Filmmaker With Self-Distribution.

Creative freedom feels so good. By self-distributing my new comedy documentary “I Am Road Comic” directly to fans for $5, I’m showing the world an unfettered work. This episode is just me rambling about my grass roots strategy, and being very transparent with how the money flows. The last ten days I’ve been connecting –

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Busy Commercial Director Chris Smith Talks Repeat Business.

Sugar.tv’s Director Chris Smith is a happy commercial director. Like myself, he loves the medium, the process and has built lasting relationships that trust him beyond compare. We chat about conference calls, spec spots, post vfx (warning: gets very geeky and I love it!). Chris believes knowing the tools make you a better director, but

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What is Sound Design and Who Chose That Music? Matt Miller Explains.

Matt Miller is a master at weaving the aural layers in our commercials and often composes original music for them too. Sound design, mixing and finding the right music are the most subjective arenas in all of advertising and Matt is one of the best. He also crafted the stellar mix for my new documentary

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