My Little Film Is All Grown Up, “I Am Road Comic” On Netflix.

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What makes “I Am Road Comic” getting on Netflix so sweet, is that it represents a victory in micro-budget indie filmmaking. Keeping a tourniquet on spending, crafting a story with notable comics and a podcast-based PR campaign, it’s finally paid off.

This is my 5th film to land on Netflix. It all started with “I Am Comic”, but Netflix was just starting out and Showtime had debuted the star-studded docu. Then “Waking Up In Reno” and “The Third Wheel” were added. But those films were Disney-owned Miramax garage sales no doubt. Maria Bamford’s “Special Special Special” is awesome, and it’s still up, and that’s all Maria. So with “I Am Road Comic”, I have 4 films streaming. I’m the most prolific filmmaker no one’s ever heard of.

Thank you!

Jordan

Commercial Directing Bootcamp will next take place in August. Where? Dunno.
This episode is just 2 minutes.
Please rate the show on iTunes and share with a filmmaking friend.

Living La Vida Creativa With Creative Director/Art Director Juan V. Perez.

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My guest Juan V. Perez is constantly looking to explore the world through an artistic lens, for personal creative fulfillment and to inform his work. We discuss staying relevant in this digital era of constant change.

We dissect his beautiful spot for Comcast that speaks to bilingual American Latinos with just an English voice over, and we find out why. Check out this spot here. Juan asks me the origin of “Respect The Process” as a podcast title and I oblige. It’s a great chat you’ll find motivating.

Thanks to all the filmmakers that attended Commercial Directing Bootcamp in NYC that week. What a blast! Write me if I should come to your town.

thank you,

Jordan
Here’s more about Commercial Directing Bootcamp.

This episode is 63 minutes.
Please rate the show on iTunes and share with a filmmaking friend.

What The Set Decorator Does With Chris Coles.

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If you’re wondering just what the Set Decorator does specifically, my guest Chris Coles has the answers. The Set Decorator brings the set to life, interpreting the vision of the Production Designer, who has been in cahoots with the Director. Chris shares similar beliefs as I do about really putting in one’s 10,000 hours to master one’s craft, and we discuss about the “generation of entitlement”, and its effect on the business. We just wrapped a big Toyota job for Cramer Krasselt Phoenix, so we chat about that gig, and you’ll even learn how he met his soon-to-be wife. Their new prop shoppe, Little Bohemia, will be open by the time you click here. Chris is great at what he does and I’m lucky to have him on set.

Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 45 minutes. Please like the show on iTunes and share with a friend.

To Sign Or Not To Sign To A Production Company With Commercial Director Tony Franklin.

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Fresh off a huge 16 day shoot, I chat with filmmaker Tony Franklin. He started as an art director, working for Target’s in-house creative department. Now he has quickly and successfully transitioned into a full-time commercial filmmaker. Tony shares his journey with us. We discuss the crucial decisions around when and why to sign and why not to sign with a commercial production company, as well as how to measure if you and the company are a good fit. We also discuss craft, and how he gets natural performances out of non-actors. We’re like minded, as we both always want to get a new spot for the reel.

Enjoy this Tony Franklin spot, his director’s cut for Academy Sports:

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

Get the “Maserati of iPhone Cases” called IOM Cases. Buy one. Super cool, stainless steel. And I’m offering all currently enrolled Film Students and those in Ad School a whopping $75 Student Discount on my Bootcamp.

thanks,

Jordan

This episode is 90 minutes, give or take, of our banter. Please like the show on iTunes.

Commercial Editor By Day, Brilliant Improvisor By Night: Rob Watzke.

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Editor Rob Watzke has cut many of your favorite tv spots over the years, but on nights and weekends, he teaches improvisation. We saw his show the night Helen Hunt played along with Rob and his troupe, Schplotz! The 100% riffed show was amazing. Back in the editing bay, Rob deftly cuts on any tool invented, and works with his agency clients to bring out the best in the footage.

We chat improvisation, editing and discuss the birth of the Frankensteinization of mutli-versions of edits. You’ll enjoy this episode.

Two cool things: my pal launch the Maserati of iPhone Cases” called IOM Cases. Buy one. Super cool, stainless steel. And I’m offering all currently enrolled Film Students and those in Ad School a whopping $75 Student Discount on my Bootcamp.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 85 minutes, give or take, of our banter. Please like the show on iTunes.

How To Get From Production Assistant To Working Filmmaker With Andrew Furtado.

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You recognize Andrew Furtado‘s name as the editor my documentary “I Am Road Comic”. He started out as a production assistant, but now directs his own projects and edits films like Clive Baker’s “Nightbreed: The Director’s Cut”. He also produced, directed & edited comedian Kyle Kinane’s hilarious special.

We talk self-discipline, how to avoid being set to stop traffic when you’re a PA and want to hang at the monitor, and more. Be sure to check out Andrew’s terrific podcast “Now Streaming Podcast” all about what’s on and soon to be off of Netflix. Enjoy this trailer/music video for “Nightbreed” he cut.

Here’s the link to “A Ballerina’s Tale” that I highly recommend during the intro of this show.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 85 minutes, give or take, of our banter. Please like the show on iTunes.

My Chat With The Incomparable Comedy Director Mike Bigelow.

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Commercial helmer Mike Bigelow started out as a motion animator and VFX technical director working on prestigious films like “The Abyss” and “Total Recall” before directing hundreds of commercials. We chat about our mutual love of doing as much in camera as possible, how comedy plays best in a wider shot, and we engage in a little tech talk. Mike is a gentleman and his sly humor makes for a great listen. Enjoy & share with a loved one.

Here’s one of Mike’s spots for National Car Renal that we discuss:
And here’s the Adidas “Streak” we discuss too:

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 75 fun-filled minutes, give or take. Please like the show on iTunes.

MTV’s Too Cheap To Buy VMA Nominated Director Josh Forbes A Ticket.

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Josh Forbes is a funny commercial director, whimsical music video director and helmer of the horror hit “Contracted: Phase II”. We chat about the differences among his many disciplines of filmmaking. He also tells the tale of being nominated for Best Rock Video Of The Year for “Shut Up And Dance” by Walk The Moon at this year’s MTV Video Music Awards. Yet oddly, the filmmaker was not invited to the VMA’s, and was forced to buy a ticket. Apparently, Viacom is strapped for cash.

Check out my favorite Josh Forbes music video for Big Data, the catchy “Dangerous”. It’s chalk full of comedians we love like Judah Friedlander, Fred Willard, Josh Fadem, John Ennis.

I’ll be in Dallas, Texas on Saturday, December 19th, 2015 conducting my popular Commercial Directing Bootcamp so sign up today!

This episode is 90 fun-filled minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

The Origin Story Of Commercial Director Andrew Laurich.

What a treat to sit down and chat with Director Andrew Laurich. The man makes inventive music videos, killer commercials and his latest short film, “A Reasonable Request” has been ripping up the festival circuit. Discover how Andrew started in the vault making reels, then shot second unit with Stacy Peralta in Alaska, which then lead to a gig at the helm.

Here’s the short, but do not watch at work or with the kiddies. Kudos to my friend, comedian Hersh Rephun for knowing how well Andrew and I would hit it off.

My Commercial Directing Bootcamp is in less than two weeks. Sign up to learn my tricks. Just added Cinematographer Julian Whatley and Producer Tom Lowe as special guests. If you’ve heard them on the show, you know how awesome it shall be. And I rarely use the word awesome.

This episode is 77 minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

How To Have A Blossoming Director-Cinematographer Relationship w DP Mateo Londono.

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For the last 10 years or so, Cinematographer Mateo Londono and I have made dozens of great spots together. Sometimes, we barely talk on set, and instead smile in agreement. After all, we’ve worked everything out ahead of time, so the shoot day is about executing that plan, and I am free to focus on performances while Mateo captures it.

We talk about how style is informed by the creative, of course. And as Mateo has a feature career, we discuss the differences between shooting movies and commercials. Basically, this is another fun chat between two old friends, and I promise you’ll enjoy it.

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 77 minutes. Do rate us on iTunes and “like” us on Facebook please.

Running The Shop w Steve Chavez, Chief Creative Officer Leo Burnett Detroit.

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Steve Chavez, Chief Creative Officer Leo Burnett Detroit, believes that when you focus on the work, the awards and accolades will follow. Talk about respecting the process. We chat about tighter deadlines, fully developing the idea and what he looks for in hiring a director. Oh, and so much more. I’ve shot with Steve before and got to work with him and his team earlier this year for the United Way. I’ve posted the spots below for your pleasure, starring the super-funny Keegan Michael Key of “Key & Peele” fame.


Enjoy Steve Chavez. He’s a wonderful storyteller, an experienced advertising guru, and an all-round great guy.

Thanks,

Jordan

This episode is an hour and 50 minutes and you’ll still not want it to end. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Bobcat Goldthwait Returns With Barry Crimmins’ Documentary “Call Me Lucky”.

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Writer/Director/Comedian Bobcat Goldthwait returns to the podcast with legendary Boston comedian Barry Crimmins to talk about their beautiful, haunting and healing documentary “Call Me Lucky”. The film opens August 7th and you need to see it.

We talk about their decades-long friendship and the responsibility Barry felt to speak out against child sexual abuse, after dealing with his being raped repeatedly as a child.

Bobcat presents a loving case study of a man determined to speak up against the most heinous of crimes. The film is passionately compelling and sparks real conversations. Please see it and share the message.

Here’s the trailer for “Call Me Lucky”.

Thank you,

Jordan

This episode is just 40 minutes. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

How A Director And Producer Work Together With Producer Rick Cowan.

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One of my favorite Line Producers and people is Rick Cowan. He’s produced many spots that I’ve directed and he’s always provided everything needed and more. He’s one of the most knowledgable filmmakers out there, having made three feature films as well. Two of the them have made it to the Sundance Film Festival.

Rick was there on set when I started using the term “Respect The Process” repeatedly, and we spend a great deal of this chat discussing how a director can work with her line producer to get the most bang for the buck. I consider Rick a dear friend and trusted ally in my filmmaking journey. This is a great episode to share with a friend.

Only a few slots open for my Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.

Thank you,

Jordan

This episode is just over an hour. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Shooting Actors Versus Table Top Photography With Cinematographer Jeanne Vienne.

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Cinematographer Jeanne Vienne is a longtime filmmaking partner. We’ve made literally dozens of commercials, two documentaries and traveled three continents together. I admire how she leads her crew with decisiveness and articulate instruction. Jeanne tells how she lights to protect the actors.

Of late, she’s been shooting mouth-watering table top gigs, so we compare working with fruits and veggies versus actors. We also chat about the trends in cinematography we’ve seen over our years together. And with all the talk about gender inequality in the biz, I could not escape asking how it is being a girl in a predominantly boy’s club.

We reference this fun spot we did for Toyota, and click here to witness Jeanne’s amazing table top spot she shot for Håagen-Dazs with Directors Margaret & Joy.

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 70 minutes. Do rate us on iTunes and “like” us on Facebook please.

Four Filmmaking Phenomena With Cinematographer Julian Whatley.

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Cinematographer Julian Whatley proudly proclaims he’s never had a bad day at work. He loves filmmaking and attacks every gig with 100% of his heart and soul. Coming up through the ranks of the camera department, learning from masters like Bob Richardson, John Toll and Harris Savides, he carries on the discipline and artistry he was taught. But stresses adaptability. I’m lucky to have Julian as an ally and friend.

Julian arrived at the RTP studios with four pillars for discussion: The Beginner’s Mind, Disintermediation, The Emperor’s new clothes and the Invisible hand. It’s a trippy conversation steeped in wisdom.

Here’s my bootleg cut of an AutoTrader.com short film we made:

Please send me your feedback and YOUR questions about filmmaking queries to RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is just about over 90 minutes long. Do rate us on iTunes and “like” us on Facebook please.

How To Define Your Creative Space With Spot Director Kevin Donovan.

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I met Director Kevin Donovan at a Christmas party and we hit it off. A former agency creative, Kevin learned so much on set, working with great directors like Mark Story and the incomparable Joe Pytka. He’s learned to create a space for himself to deliver the best work, and we discuss balancing serving the agency agenda, while remaining creatively stingy for the reel. A great chat.

I also give my thoughts on the Super Bowl spots. Oh – Get tickets!! February 10th at 6pm West Coast, I’ll be doing my live presentation on being a director of tv commercials. Buy your tickets now for February 10th at 6pm West Coast, “Confessions of a Commercial Filmmaker” on StageIt. Live Q&A. It will sell out.

Here’s a great spot Kevin and Jackie Chan made:

Thank you,

Jordan

This episode is 90 minutes. Do rate us on iTunes and “like” us on Facebook please.

Top 5 Ways To Not Screw Up Your Spec Commercial.

A spec commercial, real or fake, is one you do for free to prove you can make a spot. The big trick is to make your spec spot look not like a spec spot. If it looks spec, it will suck, defeating the very purpose of doing it. Now, every director entering the commercial world needs a spec spot. I’ve seen tons of them, many riddled with mistakes that give away the fact they’re not real. Heed my wisdom, and you’ll succeed.

Here is a spec I made years ago with a script from real DDB Chicago. Almost went to the Superbowl, but almost doesn’t count. It did get me tons of work.

And I still want to hear about your passion project!

Thanks,

Jordan

This episode is only 3 and a half minutes long. Do rate us on iTunes and “like” us on Facebook please.

The Perlorian Brothers Brilliantly Blend Absurdity With Humanity.

The Perlorian Brothers make comedy spots that I wish I’d made. Admittedly, I was giddy interviewing the dynamic directing duo from the Great White North, because I’ve held them in such high regard since I began, and because Canadians are genetically funnier than most. Ian Letts and Michael Gelfand sat down with me at the noisy airport cafe to discuss how they make the magic.

Ian and Michael started as agency creatives, and offer up great advice for creatives choosing a director. We chat about finding the humanity amidst the absurdity, casting, and sometimes subverting the process if it’s getting in the way of greatness.

Here’s a sampling of their work we talk about:

Do rate us on iTunes and “like” us on Facebook pretty please.

Good Enough Sucks, Says Bill Wright, Global Co-Exec Creative Director at McCann Erickson.

This episode dropped in February, and as i am traveling to Austin this week, I picked it as my debut repeat. Why? Cuz it’s worth the listen!

Since the interview, ad-innovators Bill Wright and James Dawson-Hollis have moved to McCann Erickson. (Read this Ad Week article, I’m not making it up.) Oh, and James & his lovely wife Vivienne Wan had a darling baby! Mazel tov!

Bill & James have won boatloads of awards at Cannes, The One Show and every other major advertising show. This dynamic duo have more Gold Lions than anyone I’ve ever met.

I chatted with Bill in the editing room. He inspires us with his writing techniques, explains his work ethic, and shares wisdom learned while working alongside ad wizard Alex Bogusky from the his tenure at CP+B, and more. Back when I showed my boys the powerful “Truth” anti-smoking spots, I never knew I’d one day work with the man who named the campaign. Truly flattered to have Bill on the show.

Here’s the first spot I directed for them:

A look back: Adweek listed them “Top Creative Minds in Digital”.

Do rate us on iTunes and “like” us on Facebook pretty please.

Avoiding Creative Atrophy With Director Graeme Joyce.

Visual storytelling requires a discerning eye and a strong point of view. My guest has that and more. I sat down with Director Graeme Joyce, whose work I’ve admired for a while now. Naturally, we talk about treatments and the state of the spot business. Graeme also gives us his two cents on why directors change production companies, the “Canon Revolution” and how to get noticed in the internet age. He also coins the phrase “creative atrophy” and avoids it at all costs. A great chat.

Enjoy Graeme’s spot we discuss for Men’s File Magazine.