This is part two with Director Marcus Nispel, the innovative filmmaker of commercials, music videos and film. His work and work ethic have both inspired me since starting in commercials, including his famous manifesto, which we discuss. Marcus expresses the joy he still gets from solving problems, be they in the script or in a challenging execution. Click his name to see his expansive body of work, as well as the comments he’s added to describe the challenges of each spot.
thanks,
Jordan
This episode is an hour and change. Please rate the show on iTunes and share with a filmmaking friend.
Enjoy your Christmas and remember we need to be students of human interaction over these holidays to make ourselves better storytellers. I’ll be back next week with Part 2 of Marcus Nispel.
Director Marcus Nispel is a ground-breaking filmmaker and visionary. His illustrious career includes your favorite big budget music videos, six awesome feature films and some 1200 plus commercials for every major brand. He’s work influenced my own while his philosophy towards the art and craft of commercial filmmaking inspired me long before we ever met. So you can imagine what a treat it is to sit down and chat with him on the shores of Malibu.
Check out his work at his site. Marcus has added personal notations below each spot. Here’s a new spot and a classic music video we discuss that sums up an era:
Enjoy and please leave me some feedback.
thanks,
Jordan
This episode is an hour and change. Please rate the show on iTunes and share with a filmmaking friend.
Director Jed Hathaway returns to the podcast with more wondrous stop motion filmmaking stories. I visit the set of his So Cal Honda shoot, where Jed and his producer Rosa Tran had over a half dozen miniature stages going at once. Jed leads an army of misfit animators, all specialists at the top of their game, to make holiday cheer. His work puts a fresh twist on a nostalgic style we all love. (Think the “Rudolph The Red Nosed-Reindeer” Christmas specials.) This chat is a very informative peek behind the stop motion curtain.
Check out his Honda work and from earlier this year, animated spots for Oreo S’mores that I adore.
Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.
My guest filmmaker Paul Ashton is a triple threat: writer, director, actor and I love his new film “This Isn’t Funny.” Click now, buy it on iTunes and then listen to this great chat with Paul. He also stars in Superlounge comedy director Daniel Sheppard’s new series of spots for GMC. Paul and I chat about getting a film made and distributed, our shared love of stand-up comedy, and how to take charge of one’s career.
Enjoy a few Mr. Sheppard’s spots, starring Paul as spokesman, seen here without his native Aussie accent.
Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.
If you’re wondering just what the Set Decorator does specifically, my guest Chris Coles has the answers. The Set Decorator brings the set to life, interpreting the vision of the Production Designer, who has been in cahoots with the Director. Chris shares similar beliefs as I do about really putting in one’s 10,000 hours to master one’s craft, and we discuss about the “generation of entitlement”, and its effect on the business. We just wrapped a big Toyota job for Cramer Krasselt Phoenix, so we chat about that gig, and you’ll even learn how he met his soon-to-be wife. Their new prop shoppe, Little Bohemia, will be open by the time you click here. Chris is great at what he does and I’m lucky to have him on set.
Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.
Commercial Filmmaker Brad Hasse has seen his art become a reality. His short film, “Texting Hat” became so popular that people started asking him if they could order their own chapéu. And now they can. He’s also the only helmer I know that’s done spots for two different types of mouthwash. We chat about the importance of personal passion projects, finding your voice as a director and much more.
Enjoy “Texting Hat”.
Big shout out to the swanky iPhone case maker IOM Cases for sponsoring the show.
Fresh off a huge 16 day shoot, I chat with filmmaker Tony Franklin. He started as an art director, working for Target’s in-house creative department. Now he has quickly and successfully transitioned into a full-time commercial filmmaker. Tony shares his journey with us. We discuss the crucial decisions around when and why to sign and why not to sign with a commercial production company, as well as how to measure if you and the company are a good fit. We also discuss craft, and how he gets natural performances out of non-actors. We’re like minded, as we both always want to get a new spot for the reel.
Enjoy this Tony Franklin spot, his director’s cut for Academy Sports:
Get the “Maserati of iPhone Cases” called IOM Cases. Buy one. Super cool, stainless steel. And I’m offering all currently enrolled Film Students and those in Ad School a whopping $75 Student Discount on my Bootcamp.
thanks,
Jordan
This episode is 90 minutes, give or take, of our banter. Please like the show on iTunes.
Josh Forbes is a funny commercial director, whimsical music video director and helmer of the horror hit “Contracted: Phase II”. We chat about the differences among his many disciplines of filmmaking. He also tells the tale of being nominated for Best Rock Video Of The Year for “Shut Up And Dance” by Walk The Moon at this year’s MTV Video Music Awards. Yet oddly, the filmmaker was not invited to the VMA’s, and was forced to buy a ticket. Apparently, Viacom is strapped for cash.
Check out my favorite Josh Forbes music video for Big Data, the catchy “Dangerous”. It’s chalk full of comedians we love like Judah Friedlander, Fred Willard, Josh Fadem, John Ennis.
I’ll be in Dallas, Texas on Saturday, December 19th, 2015 conducting my popular Commercial Directing Bootcamp so sign up today!
This episode is 90 fun-filled minutes, give or take. Please like the show on iTunes.
The Canadian Process Explained. Hey just me from Toronto whilest up here. Helen is in Barbados and she will be back after a much needed sabbatical. I’m working exclusively from an iPhone, so bare with me kids.
My inaugural Commercial Directing Bootcamp was a major success. Get ready east coast.
This episode is 15 minutes. Great interviews ready for Fall once I’m home at the luxurious RTP studios. Here’s the podcast episode. The Canadian Process Explained.
I discovered Scott McMahon’s Film Trooper Podcast through his tweets, and found the information he provides to be such a valuable part of my toolkit. He also retweets the best film-related articles. We chat about his beginnings in the video game industry, and how that lead to him making a $500 feature film called, “The Cube”. Enjoy the trailer:
He also produces Film Trooper presents “Film Marketing Fridays”, which you’ll find on YouTube. Check out Scott and everything he has to offer.
What a treat to sit down and chat with Director Andrew Laurich. The man makes inventive music videos, killer commercials and his latest short film, “A Reasonable Request” has been ripping up the festival circuit. Discover how Andrew started in the vault making reels, then shot second unit with Stacy Peralta in Alaska, which then lead to a gig at the helm.
Here’s the short, but do not watch at work or with the kiddies. Kudos to my friend, comedian Hersh Rephun for knowing how well Andrew and I would hit it off.
My Commercial Directing Bootcamp is in less than two weeks. Sign up to learn my tricks. Just added Cinematographer Julian Whatley and Producer Tom Lowe as special guests. If you’ve heard them on the show, you know how awesome it shall be. And I rarely use the word awesome.
This episode is 77 minutes, give or take. Please like the show on iTunes.
For the last 10 years or so, Cinematographer Mateo Londono and I have made dozens of great spots together. Sometimes, we barely talk on set, and instead smile in agreement. After all, we’ve worked everything out ahead of time, so the shoot day is about executing that plan, and I am free to focus on performances while Mateo captures it.
We talk about how style is informed by the creative, of course. And as Mateo has a feature career, we discuss the differences between shooting movies and commercials. Basically, this is another fun chat between two old friends, and I promise you’ll enjoy it.
Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.
Thank you,
Jordan
This episode is a about 77 minutes. Do rate us on iTunes and “like” us on Facebook please.
Jack Plotnick’s philosophy towards creativity is so spiritually aligned with my own, that I think we might have been separated at birth. I’ve directed Jack in a few commercials, marveled at his acting chops in films like “Meet The Fockers”, “Rubber” and “Gods And Monsters”. Then I discovered his directorial debut, the feature film “Space Station 76”, an intergalactic drama with comedic undertones that I love.
Jack and I chat about creating one’s own content, setting a date to make it happen, and giving yourself boundaries, a theme that’s come up on this show a few times lately. Most of all, Jack rejects the negativity that can hound us in the biz. In his words, “the world is going to rain shit down on you sometimes, but keep going cuz it’s also going to give you great gifts along your way.” Enjoy and check out “Space Station 76” on iTunes. And here’s a link to Jack’s YouTube channel.
Enjoy the trailer to “Space Station 76”.
Steve Chavez, Chief Creative Officer Leo Burnett Detroit, believes that when you focus on the work, the awards and accolades will follow. Talk about respecting the process. We chat about tighter deadlines, fully developing the idea and what he looks for in hiring a director. Oh, and so much more. I’ve shot with Steve before and got to work with him and his team earlier this year for the United Way. I’ve posted the spots below for your pleasure, starring the super-funny Keegan Michael Key of “Key & Peele” fame.
Enjoy Steve Chavez. He’s a wonderful storyteller, an experienced advertising guru, and an all-round great guy.
Thanks,
Jordan
This episode is an hour and 50 minutes and you’ll still not want it to end. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.
Writer/Director/Comedian Bobcat Goldthwait returns to the podcast with legendary Boston comedian Barry Crimmins to talk about their beautiful, haunting and healing documentary “Call Me Lucky”. The film opens August 7th and you need to see it.
We talk about their decades-long friendship and the responsibility Barry felt to speak out against child sexual abuse, after dealing with his being raped repeatedly as a child.
Bobcat presents a loving case study of a man determined to speak up against the most heinous of crimes. The film is passionately compelling and sparks real conversations. Please see it and share the message.
I overheard Don Starnes talking on the cellphone outside a Starbucks. Afterwards, I asked if he was in filmmaking, cuz he gave off that stench. We struck up a conversation, which made it a must to have Don on the show. This episode is heavy on cinema theory, the process, tech talk and gets as specific as what motivates a shot. My favorite rule is “all questions will be answered by the story.” Check out Don’s work as both Director and DP here and share this engaging chat.
Only a few slots open for my Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.
Filmmaker Steve Stockman is a successful director, writer, producer and now author. His show “Brew Dogs” is a hit on Esquire TV, he’s shot a few hundred commercials, and wrote and directed the feature film “Two Weeks” starring Oscar winner Sally Fields. We met online after I bought his book, “How To Shoot Video That Doesn’t Suck.”
Steve stresses that we’re working in a portfolio business, so he encourages filmmakers at all levels to get out and shoot. He also spells out a “How to” for getting into the reality television game. I encourage you all to buy his book, which preaches story and practical tips. Make sthe perfect gift!
Here’s the book trailer, and just take my word and purchase from Steve’s site.
Here’s the spot I shot in Steve’s garage.Avery Labels “Draft”
Only a few slots open for my Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.
Senior Producer James Introcaso and I sat down immediately after a successful shoot of our Nat Geo WILD promo for SharkFest. Not SharkWeek, that is totally different. National Geographic Channel’s Sr. VP/Group Creative Director Andy Baker offers the companion piece to this episode over at Andy’s The Client Blog, so be sure to check that out. Oh, and of course the AdWeek feature that touts the greatest of the work.
James and I discuss collaboration, ad-libbing and the process of developing of ideas at Nat Geo. You’ll be inspired by how James made his first film driving around these United States, that landed him a job at Cartoon Network.
Huge thanks to the entire creative team at Nat Geo Channels for a great idea, the most thorough development and comprehensive prep. And to comedian Rory Scovel, who brought his magic to the set. Here’s the spot:
My Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.
Filmmaker Adam Goldberg‘s new comedy “No Way Jose” is available July 7th on DVD and Digital HD from Sony Pictures Home Entertainment. Just pre-order now, darn it!
It’s a very funny “coming of middle-age” film starring Adam Goldberg, who is one of my favorite actors and filmmakers. Adam co-wrote, directed and stars in this wonderful picture. He also performs original songs and edited the movie. We chat about every facet of his process, from the co-writing mechanics with Sarah Kate Levy, to casting, his rehearsal process, the re-writing, shooting two cameras – you name it. Oh we do plenty of tech talk. You’ll feel like you’re making the film alongside him, through every phase of his creative journey.
Near the end, our talk takes a deep turn when Adam shares what he and his wife Roxanne Daner experienced surrounding this project. This episode is as personal as it gets. Thank you Adam.
Enjoy the trailer, then buy the film.
My Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game. Guaranteed.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.
Thank you,
Jordan
This episode is two hours and 15 minutes and worth every minute. Do rate us on iTunes and “like” us on Facebook please.
