Tag: cinematography

What Does Cinematographer Dustin Pearlman Like To Shoot Most?

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Cinematographer Dustin Pearlman stops by the podcast for a great chat. We met at the DGA trying to dispel myths to help up and coming directors, and we ended up chums. Dustin has shot for brands, agencies, promos, narrative and docs. I try to nail him down to what he likes best… Stay tuned. Check out his work by clicking his name and watch this montage:

Thanks to our editor Jake Brady We could not do the show without him and love this guy behind words. Need your pod spruced up? Check out his Podcast Wax.

My next in-person Commercial Directing Bootcamp is Saturday, April 27th, 2024. Limit 12 Filmmakers. Producer’s Bootcamp is April 28th, 2024 use code DIRECTING100 for a $100 off!

HENDRIE
I produced this documentary. Please watch, it’s called “Hendrie”. Thanks!

4+ NEW BEHIND-THE-SCENES
I’ve uploaded more raw behind-the-scenes, with dailies, agency interaction, directing top talent and collaborating with my crew, all at  Commercial Directing Masterclass. And you’ll wanna check out the new courses, like Behind The Beard and Winning Director Treatments.

FLOW
Use the link plus code JB20 when you try MAGIC MIND – chug it daily after your coffee. If you follow me on Instagram you know my geniune endorsment of this mighty mind power juice.

EVENTS
Our 3rd annual Filmmaker Retreat Joshua Tree is Thursday, September 26th – Sunday, September 29th, 2024. I always use the word “transformational” in describing the past two years – because our tribe of like-minded filmmakers express that the retreat truly changed their lives. Both professionally and personally. Reserve your spot before the end of the year to take advantage of that last minute 2023 write-off. Limit 20 Filmmakers.

Check out my Masterclass or Commercial Directing Shadow online courses. (Note this link to the Shadow course is the one I mention in the show.) All my courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details.

How To Pitch Ad Agencies and Director’s Treatments Unmasked are now bundled together with a free filmmaker consultation call, just like my other courses. Serious about making spots? The Commercial Director Mega Bundle for serious one-on-one mentoring and career growth.

Jeannette Godoy’s hilarious romcom “Diamond In The Rough” streams on the Peacock. Please support my wife filmmaker Jeannette Godoy’s romcom debut. It’s “Mean Girls” meets “Happy Gilmore” and crowds love it.

Thanks,

Jordan

This episode is 1 hour 45 minutes.

My cult classic mockumentary, “Dill Scallion” is online so I’m giving 100% of the money to St. Jude Children’s Hospital. I’ve decided to donate the LIFETIME earnings every December, so the donation will grow and grow. Thank you.

Respect The Process podcast is brought to you by Commercial Directing FIlm School and True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

Cinematographer Barry Berona.

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Cinematographer Barry Berona and I reunited after decades and we had a blast chatting all things commercials. His versatile, award winning commercial work extends to many sub-genres including automotive, tabletop, and beauty for such recent clients as, Google, PGA & GolfTV, Nike, Subaru, Toyota, GM, Ford, Renault, Mitsubishi, Harley Davidson, Sony, US Navy, Snickers, Honda, Coors, Priceline and Pure Michigan Tourism. He recently lensed the acclaimed Superbowl spot for Dannon/Oikos Yogurt featuring John Stamos. Check out his site as well as the spots we chat about.

https://vimeo.com/486170450

My online Commercial Directing Masterclass celebrated one year of helping filmmakers globally and has received 100% 5 star reviews. Did I mention the free filmmaker consultation call upon completion?

Join show editor Jake Brady on his new Patreon! A mere $2/month gets you BONUS content not heard in the show!! Get a $75 discount on Masterclass, free T-shirt and consultation calls w me, go to  https://www.patreon.com/respecttheprocess and show your love for the show. Join and be a part of our monthly Private Q&A via Zoom. Patreon patrons only.

Commercial Directing Bootcamp is SOLD OUT for May 22, 2021 in LA. Next is August 28th, in LA and seats are now open. Check out the new Commercial Filmmaker Mega Bundle for serious mentoring and career growth.

Thanks,

Jordan

This episode is 62 minutes and sponsored by Oso Delicious Hot Sauce, the hot sauce made by bears. Flavorseeker Fun Pak‘s ship Friday’s at 3pm.

My cult classic mockumentary, “Dill Scallion” is online so I’m giving 100% of the money to St. Jude Children’s Hospital.

Cinematographer Stoeps Langensteiner.

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Cinematographer Stoeps Langensteiner and I social distanced back at the start of this quarantine and chatted about his fabled career. From his start in pornography to Cannes-winning commercials and more. Stoeps lensed many of my favs, like “Ear Tennis” and Jimmy Dean Sausage “Anthem” by RTP alumni The Perlorian Brothers. It’s a good interview.

Actor pals, check out my pal Jen DiBella’s new course on running your career. August 12th from noon to 2pm Pacific, only $30. DM her @jendibella on the ‘grams. We’ve worked together and I know she’s on top of her game.

Also shout out to Cedric Parker and his Abanoub Beard Butter. I love this stuff and I am handsome AF.

Thanks,

Jordan

This episode runs about 1 hour and 25 min. Commercial Directing Film School has all my stuff. Let me know how I can help. Bootcamp is 10.10.2020 for only 15 filmmakers, so 7 seats left. Masterclass is every ready for ya.

Cinematographer David C. Weldon, Jr.

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Cinematographer David C. Weldon, Jr. recently lensed the latest campaign for the iconic British luxury brand Rolls Royce for their newest vehicle the “Black Badge.”  He’s shot music videos and commercials for directors Joseph Kahn and others for artists DJ Khalid, the Jonas Brothers, Post Malone, Travis Scott, Sza, Ciara, Imagine Dragons, Bebe Rehxa, Shaggy and Sting. 

Bootcamp is 10.10.2020 in Los Angeles and we’ve got 6 spots left. Masterclass is available online right now for you to level up. Everything is at Commercial Directing Film School. You can always DM me on the socials with questions.

Thanks,

Jordan

This is 90 minutes of fun. Be sure and write me at jordan@commercialdirectingfilmschool.com and ask about chats we’ve already aired. I’ll write back with links. 

Everything From Visual Aesthetics To Tech Talk With Cinematographer David Claessen.

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Cinematographer David Claessen is a dear friend and collaborator. We finally got to talk about his fabled journey into cinematography. From his features films, to music videos, to the many high end spots he’s done, we cover into it all.

Despite starting and loving film, David has embraced the digital world, applying his art and craft to whatever new medium comes along. You will love this episode. Check out this spot:

Thanks,

Jordan

This episode clocks in at two hours.

This episode is two hours of fun. San Antonio! Buy tickets for the August 2nd screening of I Am Battle Comic” to benefit National Military Family Association. Mark your calendar August 8th, 2017 to get <a href=”https://www.montereymedia.com/iambattlecomic/” target=”_blank” rel=”noopener”>”I Am Battle Comic”</a> from Monterey Media!!

<a href=”http://www.commercialdirectingbootcamp.com” target=”_blank” rel=”noopener”>Commercial Directing Bootcamp</a> is SOLD OUT for August 26th, in Los Angeles.

What A Stunt Driver Does With Stunt Driver Donnie Bailey.

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Donny Bailey has been the stunt driver on all your favorite action films, “Mad Max: Fury Road”, “The Dark Knight Rises”, and “Captain America: Civil War” …and I was privileged to shoot my Buick spots with him. In fact, it’s all the same to Donnie, for he approaches the work on a shot by shot basis. The consummate professional, Donnie stays calm under pressure and takes charge to execute the most intricate camera moves. Check out Performance Filmworks and their impressive work!

You’ll love his stories of a 26 foot crane used to shoot Mad Max. And I ask is the guitar playing freak really up there playing live on camera? How do you drive alongside Captain America? What happens when the DP and Director disagree in the car? Just a few of many great questions. Thank you Donnie!

Please share and enjoy. Not necessarily in that order.

thanks,

Jordan

I know you’ll find this talk entertaining and informative. Please rate the show on iTunes and share with a filmmaking friend.

How To Direct Stop Motion Animation With Director Jed Hathaway.

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Director Jed Hathaway returns to the podcast with more wondrous stop motion filmmaking stories. I visit the set of his So Cal Honda shoot, where Jed and his producer Rosa Tran had over a half dozen miniature stages going at once. Jed leads an army of misfit animators, all specialists at the top of their game, to make holiday cheer. His work puts a fresh twist on a nostalgic style we all love. (Think the “Rudolph The Red Nosed-Reindeer” Christmas specials.) This chat is a very informative peek behind the stop motion curtain.

Check out his Honda work and from earlier this year, animated spots for Oreo S’mores that I adore.

Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.

Two slots left for my next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is an hour and change. Please rate the show on iTunes and share with a filmmaking friend.

What The Set Decorator Does With Chris Coles.

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If you’re wondering just what the Set Decorator does specifically, my guest Chris Coles has the answers. The Set Decorator brings the set to life, interpreting the vision of the Production Designer, who has been in cahoots with the Director. Chris shares similar beliefs as I do about really putting in one’s 10,000 hours to master one’s craft, and we discuss about the “generation of entitlement”, and its effect on the business. We just wrapped a big Toyota job for Cramer Krasselt Phoenix, so we chat about that gig, and you’ll even learn how he met his soon-to-be wife. Their new prop shoppe, Little Bohemia, will be open by the time you click here. Chris is great at what he does and I’m lucky to have him on set.

Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 45 minutes. Please like the show on iTunes and share with a friend.

To Sign Or Not To Sign To A Production Company With Commercial Director Tony Franklin.

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Fresh off a huge 16 day shoot, I chat with filmmaker Tony Franklin. He started as an art director, working for Target’s in-house creative department. Now he has quickly and successfully transitioned into a full-time commercial filmmaker. Tony shares his journey with us. We discuss the crucial decisions around when and why to sign and why not to sign with a commercial production company, as well as how to measure if you and the company are a good fit. We also discuss craft, and how he gets natural performances out of non-actors. We’re like minded, as we both always want to get a new spot for the reel.

Enjoy this Tony Franklin spot, his director’s cut for Academy Sports:

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

Get the “Maserati of iPhone Cases” called IOM Cases. Buy one. Super cool, stainless steel. And I’m offering all currently enrolled Film Students and those in Ad School a whopping $75 Student Discount on my Bootcamp.

thanks,

Jordan

This episode is 90 minutes, give or take, of our banter. Please like the show on iTunes.

MTV’s Too Cheap To Buy VMA Nominated Director Josh Forbes A Ticket.

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Josh Forbes is a funny commercial director, whimsical music video director and helmer of the horror hit “Contracted: Phase II”. We chat about the differences among his many disciplines of filmmaking. He also tells the tale of being nominated for Best Rock Video Of The Year for “Shut Up And Dance” by Walk The Moon at this year’s MTV Video Music Awards. Yet oddly, the filmmaker was not invited to the VMA’s, and was forced to buy a ticket. Apparently, Viacom is strapped for cash.

Check out my favorite Josh Forbes music video for Big Data, the catchy “Dangerous”. It’s chalk full of comedians we love like Judah Friedlander, Fred Willard, Josh Fadem, John Ennis.

I’ll be in Dallas, Texas on Saturday, December 19th, 2015 conducting my popular Commercial Directing Bootcamp so sign up today!

This episode is 90 fun-filled minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

The Origin Story Of Commercial Director Andrew Laurich.

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What a treat to sit down and chat with Director Andrew Laurich. The man makes inventive music videos, killer commercials and his latest short film, “A Reasonable Request” has been ripping up the festival circuit. Discover how Andrew started in the vault making reels, then shot second unit with Stacy Peralta in Alaska, which then lead to a gig at the helm.

Here’s the short, but do not watch at work or with the kiddies. Kudos to my friend, comedian Hersh Rephun for knowing how well Andrew and I would hit it off.

My Commercial Directing Bootcamp is in less than two weeks. Sign up to learn my tricks. Just added Cinematographer Julian Whatley and Producer Tom Lowe as special guests. If you’ve heard them on the show, you know how awesome it shall be. And I rarely use the word awesome.

This episode is 77 minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

How To Have A Blossoming Director-Cinematographer Relationship w DP Mateo Londono.

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For the last 10 years or so, Cinematographer Mateo Londono and I have made dozens of great spots together. Sometimes, we barely talk on set, and instead smile in agreement. After all, we’ve worked everything out ahead of time, so the shoot day is about executing that plan, and I am free to focus on performances while Mateo captures it.

We talk about how style is informed by the creative, of course. And as Mateo has a feature career, we discuss the differences between shooting movies and commercials. Basically, this is another fun chat between two old friends, and I promise you’ll enjoy it.

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 77 minutes. Do rate us on iTunes and “like” us on Facebook please.

A Practical Guide To Loving Acting w Actor/Writer/Director Jack Plotnick.

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Jack Plotnick’s philosophy towards creativity is so spiritually aligned with my own, that I think we might have been separated at birth. I’ve directed Jack in a few commercials, marveled at his acting chops in films like “Meet The Fockers”, “Rubber” and “Gods And Monsters”. Then I discovered his directorial debut, the feature film “Space Station 76”, an intergalactic drama with comedic undertones that I love.

Jack and I chat about creating one’s own content, setting a date to make it happen, and giving yourself boundaries, a theme that’s come up on this show a few times lately. Most of all, Jack rejects the negativity that can hound us in the biz. In his words, “the world is going to rain shit down on you sometimes, but keep going cuz it’s also going to give you great gifts along your way.” Enjoy and check out “Space Station 76” on iTunes. And here’s a link to Jack’s YouTube channel.
Enjoy the trailer to “Space Station 76”.

Space Station 76 (excerpt) from Cinefamily on Vimeo.

Thanks,

Jordan

This episode is an hour and 15 minutes. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Running The Shop w Steve Chavez, Chief Creative Officer Leo Burnett Detroit.

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Steve Chavez, Chief Creative Officer Leo Burnett Detroit, believes that when you focus on the work, the awards and accolades will follow. Talk about respecting the process. We chat about tighter deadlines, fully developing the idea and what he looks for in hiring a director. Oh, and so much more. I’ve shot with Steve before and got to work with him and his team earlier this year for the United Way. I’ve posted the spots below for your pleasure, starring the super-funny Keegan Michael Key of “Key & Peele” fame.


Enjoy Steve Chavez. He’s a wonderful storyteller, an experienced advertising guru, and an all-round great guy.

Thanks,

Jordan

This episode is an hour and 50 minutes and you’ll still not want it to end. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

How To Shoot Video That Doesn’t Suck With Filmmaker Steve Stockman.

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Filmmaker Steve Stockman is a successful director, writer, producer and now author. His show “Brew Dogs” is a hit on Esquire TV, he’s shot a few hundred commercials, and wrote and directed the feature film “Two Weeks” starring Oscar winner Sally Fields. We met online after I bought his book, “How To Shoot Video That Doesn’t Suck.”

Steve stresses that we’re working in a portfolio business, so he encourages filmmakers at all levels to get out and shoot. He also spells out a “How to” for getting into the reality television game. I encourage you all to buy his book, which preaches story and practical tips. Make sthe perfect gift!

Here’s the book trailer, and just take my word and purchase from Steve’s site.
Here’s the spot I shot in Steve’s garage.Avery Labels “Draft”

Only a few slots open for my Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.

Thank you,

Jordan

This episode is just over an hour. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Deconstructing “No Way Jose” With Director, Co-Writer, Musician, Star Adam Goldberg.

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Filmmaker Adam Goldberg‘s new comedy “No Way Jose” is available July 7th on DVD and Digital HD from Sony Pictures Home Entertainment. Just pre-order now, darn it!

It’s a very funny “coming of middle-age” film starring Adam Goldberg, who is one of my favorite actors and filmmakers. Adam co-wrote, directed and stars in this wonderful picture. He also performs original songs and edited the movie. We chat about every facet of his process, from the co-writing mechanics with Sarah Kate Levy, to casting, his rehearsal process, the re-writing, shooting two cameras – you name it. Oh we do plenty of tech talk. You’ll feel like you’re making the film alongside him, through every phase of his creative journey.

Near the end, our talk takes a deep turn when Adam shares what he and his wife Roxanne Daner experienced surrounding this project. This episode is as personal as it gets. Thank you Adam.

Enjoy the trailer, then buy the film.

My Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game. Guaranteed.

Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Thank you,

Jordan

This episode is two hours and 15 minutes and worth every minute. Do rate us on iTunes and “like” us on Facebook please.

Indie Film Secrets Revealed By Filmmaker & Slamdance Co-Founder Dan Mirvish.

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Filmmaker Dan Mirvish makes great movies, and you’ve got just a few days left to support his latest film, “Bernard and Huey”. Click now here to support Dan’s Kickstarter, then come back and enjoy our talk. We chat about how they came to create Slamdance and the talented alumni of the festival (see: Tres Parker & Matt Stone, Jordan Brady, Christopher Nolan), how he resurrected an Oscar category and his latest project. We share a similar philosophy about how to make your film a reality, and I appreciate Dan’s candor.

Enjoy “How Dan Directs” starring Julia Stiles, Sally Kellerman and more.

You’ve got two days left to save $50 off my Commercial Directing Bootcamp. Hurry and sign up. It’s Sunday, September 13th all day. I promise you’ll up your game.

Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Thank you,

Jordan

This episode is an hour and 20 minutes, maybe a tad more. Do rate us on iTunes and “like” us on Facebook please.

What The 1st Assistant Director Does w Billy Jones.

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I wanted this 100th episode to be extra special, and by golly is it. Billy Jones is one of the most sought-after 1st AD’s in commercials because of his excellent leadership, communication and knowledge of filmmaking. Billy, and those he’s mentored, lead with a sense of serenity and control.

The 1st Assistant Director schedules & executes the day in a way that helps the Director accomplish her vision, while simultaneously helping the Producer stay on budget. The manner in which the 1st AD communicates to the crew is vital for a cohesive team effort.

Here’s a spot with Flo from Progressive that we chat about. Billy’s lead the charge for 4 years on the popular insurance campaign.

This episode is about an hour and 10 minutes of rich information.

Please celebrate this 100th episode by rating us on iTunes or at jordanbrady.com.

thanks,

Jordan

Director Carolyn Chen Brings Production To The People.

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Director Carolyn Chen has shot hundreds of commercials, always delivering a strong emotional journey, supported by her stunning visuals. Ever-evolving, she’s stayed relevant in a business that loves the flavor of the week. When I discovered her new production company, Production For The People, I had to chat with her. Carolyn has brought her vision, style and experience to the brave new world of Branded Content.

We chat about working with editors, her start as a cinematographer, running a shoot via FaceTime and more. Check out one of her many stories for Tanqueray:

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 86 minutes. Do rate us on iTunes and “like” us on Facebook please.

Shooting Actors Versus Table Top Photography With Cinematographer Jeanne Vienne.

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Cinematographer Jeanne Vienne is a longtime filmmaking partner. We’ve made literally dozens of commercials, two documentaries and traveled three continents together. I admire how she leads her crew with decisiveness and articulate instruction. Jeanne tells how she lights to protect the actors.

Of late, she’s been shooting mouth-watering table top gigs, so we compare working with fruits and veggies versus actors. We also chat about the trends in cinematography we’ve seen over our years together. And with all the talk about gender inequality in the biz, I could not escape asking how it is being a girl in a predominantly boy’s club.

We reference this fun spot we did for Toyota, and click here to witness Jeanne’s amazing table top spot she shot for Håagen-Dazs with Directors Margaret & Joy.

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 70 minutes. Do rate us on iTunes and “like” us on Facebook please.