Podcast Editor Jake Brady’s Journey Editing 500 Episodes Of Respect The Process.

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Our podcast editor Jake Brady is most befitting interviewee for this very special 500th episode of Respect the Process. Jake provides his unique perspective on what he’s learned cutting our guests. We discuss common themes from creatives and filmmakers and the annoying, repeated stories I tends to bring up that he will omit, as well as the […]

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RevThink’s Joel Pilger Talks Positioning with Panache.

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My friend and marketing expert Joel Pilger of RevThink helps creatives that run their own shoppes, myself included, and joins me for another insightful discussion. Joel shares his expertise on positioning your company and putting yourself out there through LinkedIn outreach. He stresses the importance of keeping at it until opportunities come your way. Joel also tells

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Just Me Rambling About Being Grateful For My Family and What I Get To Do For A Living.

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Just me rambling for 10 minutes about how lucky I am to make commercials for a living, and more importantly, that my family is safe and healthy. That is never taken for granted. That I get to work with my sons, my friends and often their kids is a such a treat. Enjoy your time

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On Set Electrician Jeanne Mailloux Talks “Birdman”, Buddhism and Mental Health.

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Jeanne Mailloux works on commercial sets as a union Electrician. (And spells out to me the difference between the Grips and Electricains.) She shares fascinating insights about her start in filmmaking meeting Nick Cage, working on “Birdman” and being a female Electrician in that male-dominated department. We delve into reflections on human suffering, ego, humility,

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Greg Hahn, Mischief Co-founder and Chief Creative Officer, Says It All Comes Down To The Work.

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Greg Hahn is the Co-founder and Chief Creative Officer of Mischief@No Fixed Address. Just moments before this insightful and engaging chat, Adweek named Mischief “US Agency of the Year” for excellent brand-building for clients like Tubi (loved the trio of Super Bowl spots), Peet’s Coffee, Tinder and more. Adweek also called out the stellar branding of Mischief itself. Even

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Filmmaker Nur Niaz Talks Directing Commercials & His Popular YouTube Cannel From Kazakhstan.

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Director Nur Niaz is a talented filmmaker creating cozy and fun films for Samsung, Toyota, BMW, Coca-Cola, Red Bull and many more. I met Nur via another filmmaker’s instagram post of Nur’s work an d loved it. He’s living in his home country of Kazakhstan, yes it’s a real place, so we zoomed and you’ll love this chat.

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Managing Director/EP Rebecca Niles Grows ArtClass’ Business and Culture.

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Managing Director/Exec Producer Rebecca Niles offers us a masterclass in everything filmmakers need to know about joining a roster at a top production company. Rebbeca joined Art Class, one of the busiest shoppes working with brilliant filmmakers, and is dedicated to serving agencies and the next gen of filmmakers to make great stuff. She brings deep global

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From ECD To Commercial Directing With Ed Han.

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Director Ed Han started on the agency side and is now a busy commercial director, having helmed spots for Lincoln, Roomba, Hersey’s and more. I love Ed’s core philosophy of discover the overlooked, celebrate the journey, share the sublime. Those tenets certianly come through in his work. During our talk, he stressed the importance of ensuring “clarity

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Filmmaker Jeannette Godoy: From Spec Commercial To Directing Her Romcom Feature Film “Diamond In The Rough.”

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Filmmmaker Jeannette Godoy screens her romcom feature film “Diamond In The Rough” on September 22nd as part of the NY Latino Film Festival at the Regal Union Square. Jeannette is a talented writer, producer, director and my lovely wife. She started in the business as a dancer/choreographer, choreographing Sir Mix A Lot’s “Baby Got Back” before making her first commercial for

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Oscar Winning Filmmaker Chris Overton Talks Commercials, Shorts And Running Slick Films.

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Filmmaker Chris Overton (left) directed “The Silent Child”, written by Rachel Shenton (right), and they won the Oscar® for Best Live Action Short at the 90th Academy Awards®. The film tells the story of Libby, a profoundly deaf 6-year-old girl, who lives a silent life until a social worker, played by Shenton, teaches her how to communicate

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