Indie Rom-Com “This Isn’t Funny” Is Indeed Funny w Writer/Director/Star Paul Ashton.

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My guest filmmaker Paul Ashton is a triple threat: writer, director, actor and I love his new film “This Isn’t Funny.” Click now, buy it on iTunes and then listen to this great chat with Paul. He also stars in Superlounge comedy director Daniel Sheppard’s new series of spots for GMC. Paul and I chat about getting a film made and distributed, our shared love of stand-up comedy, and how to take charge of one’s career.

Enjoy a few Mr. Sheppard’s spots, starring Paul as spokesman, seen here without his native Aussie accent.

Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.

Two slots left for my next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is an hour and change. Please rate the show on iTunes and share with a filmmaking friend.

What The Set Decorator Does With Chris Coles.

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If you’re wondering just what the Set Decorator does specifically, my guest Chris Coles has the answers. The Set Decorator brings the set to life, interpreting the vision of the Production Designer, who has been in cahoots with the Director. Chris shares similar beliefs as I do about really putting in one’s 10,000 hours to master one’s craft, and we discuss about the “generation of entitlement”, and its effect on the business. We just wrapped a big Toyota job for Cramer Krasselt Phoenix, so we chat about that gig, and you’ll even learn how he met his soon-to-be wife. Their new prop shoppe, Little Bohemia, will be open by the time you click here. Chris is great at what he does and I’m lucky to have him on set.

Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 45 minutes. Please like the show on iTunes and share with a friend.

Comedy Filmmaker Brad Hasse Invents Texting Hat.

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Commercial Filmmaker Brad Hasse has seen his art become a reality. His short film, “Texting Hat” became so popular that people started asking him if they could order their own chapéu. And now they can. He’s also the only helmer I know that’s done spots for two different types of mouthwash. We chat about the importance of personal passion projects, finding your voice as a director and much more.

Enjoy “Texting Hat”.

Big shout out to the swanky iPhone case maker IOM Cases for sponsoring the show.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 85 minutes, give or take, of our banter. Please like the show on iTunes.

How To Get From Production Assistant To Working Filmmaker With Andrew Furtado.

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You recognize Andrew Furtado‘s name as the editor my documentary “I Am Road Comic”. He started out as a production assistant, but now directs his own projects and edits films like Clive Baker’s “Nightbreed: The Director’s Cut”. He also produced, directed & edited comedian Kyle Kinane’s hilarious special.

We talk self-discipline, how to avoid being set to stop traffic when you’re a PA and want to hang at the monitor, and more. Be sure to check out Andrew’s terrific podcast “Now Streaming Podcast” all about what’s on and soon to be off of Netflix. Enjoy this trailer/music video for “Nightbreed” he cut.

Here’s the link to “A Ballerina’s Tale” that I highly recommend during the intro of this show.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 85 minutes, give or take, of our banter. Please like the show on iTunes.

How To Book National Commercials With Comedian/Actor Wayne Federman.

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Comedian/Actor/Writer Wayne Federman is my favorite comic, and he’s just put out his debut comedy album, The Chronicles of Federman. The box set of three CDs (also available digitally) spans his 30 plus years of unique, killer stand-up.  Judd Apatow, who writes the liner notes, says “Epic, hilarious, inspired and whimsical.” And Mr. Apatow goes on and on. Oh, and I must reveal, Wayne is also my best pal.

Wayne has acted in dozens of national commercials, with a proportionate amount of them being oddly-costumed characters. Regardless, Wayne shares his secrets on how he approaches his auditions and gets booked time and time again. We also chat about how he constructed and edited “Chronicles” himself, so plenty of tech talk here.

Here’s Wayne and Kenny Rogers for Geico:

The Wayne Federman Commercial MegaMix:
Here’s a Toyota spot I directed Wayne in called “Charades“.

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 80 minutes, give or take, of our banter. Please like the show on iTunes.

My Chat With The Incomparable Comedy Director Mike Bigelow.

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Commercial helmer Mike Bigelow started out as a motion animator and VFX technical director working on prestigious films like “The Abyss” and “Total Recall” before directing hundreds of commercials. We chat about our mutual love of doing as much in camera as possible, how comedy plays best in a wider shot, and we engage in a little tech talk. Mike is a gentleman and his sly humor makes for a great listen. Enjoy & share with a loved one.

Here’s one of Mike’s spots for National Car Renal that we discuss:
And here’s the Adidas “Streak” we discuss too:

My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

This episode is 75 fun-filled minutes, give or take. Please like the show on iTunes.

MTV’s Too Cheap To Buy VMA Nominated Director Josh Forbes A Ticket.

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Josh Forbes is a funny commercial director, whimsical music video director and helmer of the horror hit “Contracted: Phase II”. We chat about the differences among his many disciplines of filmmaking. He also tells the tale of being nominated for Best Rock Video Of The Year for “Shut Up And Dance” by Walk The Moon at this year’s MTV Video Music Awards. Yet oddly, the filmmaker was not invited to the VMA’s, and was forced to buy a ticket. Apparently, Viacom is strapped for cash.

Check out my favorite Josh Forbes music video for Big Data, the catchy “Dangerous”. It’s chalk full of comedians we love like Judah Friedlander, Fred Willard, Josh Fadem, John Ennis.

I’ll be in Dallas, Texas on Saturday, December 19th, 2015 conducting my popular Commercial Directing Bootcamp so sign up today!

This episode is 90 fun-filled minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

How American Commercial Directors Get Gigs In Canada, Eh.

The Canadian Process Explained. Hey just me from Toronto whilest up here. Helen is in Barbados and she will be back after a much needed sabbatical. I’m working exclusively from an iPhone, so bare with me kids.

My inaugural Commercial Directing Bootcamp was a major success. Get ready east coast.

This episode is 15 minutes. Great interviews ready for Fall once I’m home at the luxurious RTP studios. Here’s the podcast episode. The Canadian Process Explained.

Thanks,

Jordan

How Film Trooper Scott McMahon Empowers Indie Filmmakers To Sell Their Films.

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I discovered Scott McMahon’s Film Trooper Podcast through his tweets, and found the information he provides to be such a valuable part of my toolkit. He also retweets the best film-related articles. We chat about his beginnings in the video game industry, and how that lead to him making a $500 feature film called, “The Cube”. Enjoy the trailer:

He also produces Film Trooper presents “Film Marketing Fridays”, which you’ll find on YouTube. Check out Scott and everything he has to offer.

My Commercial Directing Bootcamp is this Sunday. Only two slots left!

This episode is one hour and fifteen minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

The Origin Story Of Commercial Director Andrew Laurich.

What a treat to sit down and chat with Director Andrew Laurich. The man makes inventive music videos, killer commercials and his latest short film, “A Reasonable Request” has been ripping up the festival circuit. Discover how Andrew started in the vault making reels, then shot second unit with Stacy Peralta in Alaska, which then lead to a gig at the helm.

Here’s the short, but do not watch at work or with the kiddies. Kudos to my friend, comedian Hersh Rephun for knowing how well Andrew and I would hit it off.

My Commercial Directing Bootcamp is in less than two weeks. Sign up to learn my tricks. Just added Cinematographer Julian Whatley and Producer Tom Lowe as special guests. If you’ve heard them on the show, you know how awesome it shall be. And I rarely use the word awesome.

This episode is 77 minutes, give or take. Please like the show on iTunes.

thanks,

Jordan

How To Have A Blossoming Director-Cinematographer Relationship w DP Mateo Londono.

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For the last 10 years or so, Cinematographer Mateo Londono and I have made dozens of great spots together. Sometimes, we barely talk on set, and instead smile in agreement. After all, we’ve worked everything out ahead of time, so the shoot day is about executing that plan, and I am free to focus on performances while Mateo captures it.

We talk about how style is informed by the creative, of course. And as Mateo has a feature career, we discuss the differences between shooting movies and commercials. Basically, this is another fun chat between two old friends, and I promise you’ll enjoy it.

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 77 minutes. Do rate us on iTunes and “like” us on Facebook please.

A Practical Guide To Loving Acting w Actor/Writer/Director Jack Plotnick.

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Jack Plotnick’s philosophy towards creativity is so spiritually aligned with my own, that I think we might have been separated at birth. I’ve directed Jack in a few commercials, marveled at his acting chops in films like “Meet The Fockers”, “Rubber” and “Gods And Monsters”. Then I discovered his directorial debut, the feature film “Space Station 76”, an intergalactic drama with comedic undertones that I love.

Jack and I chat about creating one’s own content, setting a date to make it happen, and giving yourself boundaries, a theme that’s come up on this show a few times lately. Most of all, Jack rejects the negativity that can hound us in the biz. In his words, “the world is going to rain shit down on you sometimes, but keep going cuz it’s also going to give you great gifts along your way.” Enjoy and check out “Space Station 76” on iTunes. And here’s a link to Jack’s YouTube channel.
Enjoy the trailer to “Space Station 76”.

Space Station 76 (excerpt) from Cinefamily on Vimeo.

Thanks,

Jordan

This episode is an hour and 15 minutes. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

How A Director And Producer Work Together With Producer Rick Cowan.

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One of my favorite Line Producers and people is Rick Cowan. He’s produced many spots that I’ve directed and he’s always provided everything needed and more. He’s one of the most knowledgable filmmakers out there, having made three feature films as well. Two of the them have made it to the Sundance Film Festival.

Rick was there on set when I started using the term “Respect The Process” repeatedly, and we spend a great deal of this chat discussing how a director can work with her line producer to get the most bang for the buck. I consider Rick a dear friend and trusted ally in my filmmaking journey. This is a great episode to share with a friend.

Only a few slots open for my Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.

Thank you,

Jordan

This episode is just over an hour. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

How To Shoot Video That Doesn’t Suck With Filmmaker Steve Stockman.

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Filmmaker Steve Stockman is a successful director, writer, producer and now author. His show “Brew Dogs” is a hit on Esquire TV, he’s shot a few hundred commercials, and wrote and directed the feature film “Two Weeks” starring Oscar winner Sally Fields. We met online after I bought his book, “How To Shoot Video That Doesn’t Suck.”

Steve stresses that we’re working in a portfolio business, so he encourages filmmakers at all levels to get out and shoot. He also spells out a “How to” for getting into the reality television game. I encourage you all to buy his book, which preaches story and practical tips. Make sthe perfect gift!

Here’s the book trailer, and just take my word and purchase from Steve’s site.
Here’s the spot I shot in Steve’s garage.Avery Labels “Draft”

Only a few slots open for my Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.

Thank you,

Jordan

This episode is just over an hour. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Nat Geo Wild’s SharkFest Takes Big Bite Out Of SharkWeek w Sr. Producer James Introcaso.

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Senior Producer James Introcaso and I sat down immediately after a successful shoot of our Nat Geo WILD promo for SharkFest. Not SharkWeek, that is totally different. National Geographic Channel’s Sr. VP/Group Creative Director Andy Baker offers the companion piece to this episode over at Andy’s The Client Blog, so be sure to check that out. Oh, and of course the AdWeek feature that touts the greatest of the work.

James and I discuss collaboration, ad-libbing and the process of developing of ideas at Nat Geo. You’ll be inspired by how James made his first film driving around these United States, that landed him a job at Cartoon Network.

Huge thanks to the entire creative team at Nat Geo Channels for a great idea, the most thorough development and comprehensive prep. And to comedian Rory Scovel, who brought his magic to the set. Here’s the spot:

My Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game.

Thank you,

Jordan

This episode is two hours and 15 minutes and worth every minute. Do rate us on iTunes and “like” us on Facebook please. Email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Deconstructing “No Way Jose” With Director, Co-Writer, Musician, Star Adam Goldberg.

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Filmmaker Adam Goldberg‘s new comedy “No Way Jose” is available July 7th on DVD and Digital HD from Sony Pictures Home Entertainment. Just pre-order now, darn it!

It’s a very funny “coming of middle-age” film starring Adam Goldberg, who is one of my favorite actors and filmmakers. Adam co-wrote, directed and stars in this wonderful picture. He also performs original songs and edited the movie. We chat about every facet of his process, from the co-writing mechanics with Sarah Kate Levy, to casting, his rehearsal process, the re-writing, shooting two cameras – you name it. Oh we do plenty of tech talk. You’ll feel like you’re making the film alongside him, through every phase of his creative journey.

Near the end, our talk takes a deep turn when Adam shares what he and his wife Roxanne Daner experienced surrounding this project. This episode is as personal as it gets. Thank you Adam.

Enjoy the trailer, then buy the film.

My Commercial Directing Bootcamp is filling up fast. Hurry and sign up. It’s Sunday, September 13th all day. You’ll up your game. Guaranteed.

Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Thank you,

Jordan

This episode is two hours and 15 minutes and worth every minute. Do rate us on iTunes and “like” us on Facebook please.

How Ad Agencies Choose A Director w Associate Creative Director Aaron Cathey.

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I’ve shot a few campaigns birthed by Aaron Cathey over the years. He’s funny, prolific and a smart writer of adverting. He most recently won a Dannes Gold Lion for his work on Hotels.com while at Crispin Porter+Bogusky. Aaron is now back at one of my favorite agencies, Barkley.

Aaron and I indulge in enjoyable recollections of past gigs, like this Casey’s Pizza spot, and you’ll love learning from the agency perspective as to how they hire a director, what they look for as far as details, tone and more.

You’ve got one week to save $50 off my Commercial Directing Bootcamp. Hurry and sign up. It’s Sunday, September 13th all day. I promise you’ll up your game.

Aaron’s award-winning work for Hotels.com makes me laugh every time.

This Aaron shot this epic wonder with Roman Coppola for Windows Phone.

Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today. And I’m still accepting candidates for my Commercial Directing Bootcamp. You owe it to yourself.

Thank you,

Jordan

This episode is an hour. Do rate us on iTunes and “like” us on Facebook please.

Can You Handle The Truth? My Commercial Directing Bootcamp.

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I’m offering my first Commercial Directing Bootcamp, September 13th in Los Angeles. Sign up at jordanbrady.com and learn the secrets to build your career. This is not “film school” – it’s far more specific. I’ve learned so much interviewing directors and creatives over the last 100 episodes, that I thought it was time to share the knowledge.

After directing over 700 spots I’ve developed methods and practices that work. My results are great commecials and that keep agencies and clients coming back, year after year. Plus it’s fun making fillms for money inside the creative world of advertising. You play with some of the most talented people at work.

If you’re an agency creative or newer director wanting to understand commercial production, or a film school rock star that wants to taste the real world, or a working director/prodcuer that wants to elevate your game – join us.

Space is limited to just 20 Bootcamp Candidates. Money back guarantee & free lunch.

Enjoy one of my three new spots with the brilliant Keegan Michael Key (“Key & Peele”).

Thanks,

Jordan

This episode is about 11 minutes of rich information.

Please celebrate this 100th episode by rating us on iTunes or at jordanbrady.com.

thanks,

Jordan

What The 1st Assistant Director Does w Billy Jones.

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I wanted this 100th episode to be extra special, and by golly is it. Billy Jones is one of the most sought-after 1st AD’s in commercials because of his excellent leadership, communication and knowledge of filmmaking. Billy, and those he’s mentored, lead with a sense of serenity and control.

The 1st Assistant Director schedules & executes the day in a way that helps the Director accomplish her vision, while simultaneously helping the Producer stay on budget. The manner in which the 1st AD communicates to the crew is vital for a cohesive team effort.

Here’s a spot with Flo from Progressive that we chat about. Billy’s lead the charge for 4 years on the popular insurance campaign.

This episode is about an hour and 10 minutes of rich information.

Please celebrate this 100th episode by rating us on iTunes or at jordanbrady.com.

thanks,

Jordan

Director Carolyn Chen Brings Production To The People.

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Director Carolyn Chen has shot hundreds of commercials, always delivering a strong emotional journey, supported by her stunning visuals. Ever-evolving, she’s stayed relevant in a business that loves the flavor of the week. When I discovered her new production company, Production For The People, I had to chat with her. Carolyn has brought her vision, style and experience to the brave new world of Branded Content.

We chat about working with editors, her start as a cinematographer, running a shoot via FaceTime and more. Check out one of her many stories for Tanqueray:

Do try Rufus Teague’s sauces for your meat. With BBQ season here, it’s time you step it up. Click and enter the discount code “Respect”.
Enjoy. I look forward to your feedback on iTunes, jordanbrady.com (which is where you are now). Or heck, just email me at RespectTheProcessPodcast today.

Thank you,

Jordan

This episode is a about 86 minutes. Do rate us on iTunes and “like” us on Facebook please.