stop-motion – JORDAN BRADY

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Director Jed Hathaway returns to the podcast with more wondrous stop motion filmmaking stories. I visit the set of his So Cal Honda shoot, where Jed and his producer Rosa Tran had over a half dozen miniature stages going at once. Jed leads an army of misfit animators, all specialists at the top of their game, to make holiday cheer. His work puts a fresh twist on a nostalgic style we all love. (Think the “Rudolph The Red Nosed-Reindeer” Christmas specials.) This chat is a very informative peek behind the stop motion curtain.

Check out his Honda work and from earlier this year, animated spots for Oreo S’mores that I adore.

Have you bought your new, swanky IOM iPhone case from IOM Cases? Thank you for sponsoring the show.

Two slots left for my next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 – so sign up for Commercial Directing Bootcamp today! Read the reviews on this site. Pretty flattering. #blush.

thanks,

Jordan

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I’ve always marveled at how “Rudolph the Red-Nosed Reindeer” was shot. Now straight from the real Island of Misfit Toys, Director Jed Hathaway of Shadow Machine breaks down this intriguing world of stop-motion animation. This episode plays like a crash course in shooting puppets for advertising, as Jed explains how he twisted the Happy Honda Day’s commercial campaign into an animated hit with Secret Weapon Marketing. Learn the modern approach to the classic look.

Watch the spots below to truly appreciate what we’re talking about.