How To Be A Successful Comedy Director With Comedy Director Ric Cantor.

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Ric Cantor is a director and writer of commercials, television and film. We met on a lark at a Directors Guild Of America conference, and I loved his work and wit so I’m very happy he’s on the show. We discuss Steven Seagal, the contractual and creative differences between directing spots in England versus the United States, as well as common trends we’ve noticed. He also tells how he readies himself for a pitch. And we discuss Director’s Cut and how strategically they fit on your reel. Invaluable stuff people.

Check out Ric’s website, he’s always adding new work. We talk about this older shoot:

thanks,

Jordan

It’s a hefty 90 minute chat that I know you’ll find entertaining and informative. Please rate the show on iTunes and share with a filmmaking friend.

What The 1st Assistant Director Does w Billy Jones.

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I wanted this 100th episode to be extra special, and by golly is it. Billy Jones is one of the most sought-after 1st AD’s in commercials because of his excellent leadership, communication and knowledge of filmmaking. Billy, and those he’s mentored, lead with a sense of serenity and control.

The 1st Assistant Director schedules & executes the day in a way that helps the Director accomplish her vision, while simultaneously helping the Producer stay on budget. The manner in which the 1st AD communicates to the crew is vital for a cohesive team effort.

Here’s a spot with Flo from Progressive that we chat about. Billy’s lead the charge for 4 years on the popular insurance campaign.

This episode is about an hour and 10 minutes of rich information.

Please celebrate this 100th episode by rating us on iTunes or at jordanbrady.com.

thanks,

Jordan